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Learning a new 3D program seemed overkill for some 3D text. All I wanted was the ability to create true 3D text in a familiar application and use the power of Photoshop to add realism.
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At the time, 3D software was still really expensive and was very hard and tedious to learn. So you might be asking, “Well, Corey, why don’t you just do 3D type in another 3D program?” Much easier said than done. This was pretty cool and a step in the right direction however, there were still no 3D type tools. You could even place a flat 2D image in 3D space and generate accurate perspective. When Adobe rolled out Photoshop CS4, it seemed that they were listening to designers, as we were given the ability to create primitive 3D shapes such as cubes, spheres, cones, etc. Alas, my 3D aspirations would have to waitâ”at least until the next version. The engineer told me that 3D text wasn’t planned as of yet. This was a level of realism you just couldn’t fake, and I wanted to be able to do that in Photoshop.
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You could bring in 3D models and adjust mesh textures and some lighting, but it was still limited.Īt the end of the demo, I asked if there were any future plans to allow the creation of 3D text in Photoshop, because at the time I was really inspired by the use of 3D text in movie posters such as Tomb Raider. Halfway through the demonstration, the wind was taken from my sails as I discovered the 3D features were only to support files that were created in other applications, such as Maya or 3ds Max. We were excited to see these new features firsthand. We met some of the Photoshop team and watched exclusive demos of the new Photoshop features, including 3D. Later that year we attended a summit at the Adobe headquarters in San Jose, California. One day while we were working in our offices here at the NAPP, we learned that there were 3D features coming to the next version of Photoshop, which was CS3 at the time. As much as I like the final product, the workflow process was tedious. This example was done creating a simple text extrusion in Illustrator and then bringing it into Photoshop. It involved many more steps but it did work however, I still had to fake the rendering and create the lighting and reflections myselfâ”all this at a time when we had only a fraction of the computing power we have now. Since Photoshop didn’t support 3D at the time, that was the only way to edit the angle of the 3D text by going back to the original file, making the changes in Illustrator, and then saving it back to Photoshop. So I continued to use these tools to create numerous 3D concoctions including 3D text, which I would create in Illustrator and bring over to Photoshop as a vector smart object. Though different in appearance, it had many of the same features that were available in Dimensions, and because it was originally a vector-based app, it seemed right at home in Illustrator. Not too long after the demise of Dimensions, Adobe decided to roll some of its 3D features into Live Effect in Illustrator CS, essentially putting a scaled-down version of Dimensions in Illustrator. After having minimal success with that program, Adobe decided to discontinue it, even though it was the only 3D offering Adobe had at the time. At the time, it was the best option among a few cheap plug-ins that also faked 3D in various ways. It was limited because you could only create basic shapes or do simple extruding or revolving. This standalone program was limited yet powerful, as it could create 3D PostScript vector art, which could be imported into Illustrator or Photoshop to create interesting 3D effects. Several years ago, Adobe had an interesting little application called Adobe Dimensions. Not just 3D text, but the ability to manipulate and render it to look as real as any other high-end 3D application.
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As Photoshop has always been my tool of choice for almost every creative venture, there was one thing that seemed to always be missing when it came to designing with text in Photoshopâ”3D. Some have endured and many have faded into obscurity. I’ve been a designer for the better part of 20 years, and I’ve seen design trends come and go.